Trapping a group of characters in a contemporary art installation and slapping thematic tags as trapped existence, perverse sexuality, and life and creation, etc. thereon do not make good cinema. This film is more of a proof that a female director could be no less sadistic in (physically) exploiting her actors, and also that in some respect Japanese sci-fi hentai is far more avant-garde than self-important arthouse films.
没想到被一本编剧书安利来的小时候以为是无脑片色翁荡息又大又硬又粗又爽小玲现在看简直是标准的女性励志片几乎没有雌竞女主自我自恰自信会夸赞前男友的现女友会鼓励听她倒垃圾话的美甲女会回报帮她拿书的宅男片中还有很多反刻板印象的细节比如让女下属去端咖啡等等对于看低你的人来说you never be good enough for him, but someone do have faith in you